Hidden histories
'The Odyssey' and 'The Iliad' are giving up new secrets about the ancient world

By Jonathan Gottschall
September 28, 2008

NEARLY 3,000 YEARS after the death of the Greek poet Homer, his epic tales of the war for Troy and its aftermath remain deeply woven into the fabric of our culture. These stories of pride and rage, massacre and homecoming have been translated and republished over millennia. Even people who have never read a word of "The Iliad" or "The Odyssey" know the phrases they have bequeathed to us - the Trojan horse, the Achilles heel, the face that launched a thousand ships.

Today we still turn to Homer's epics not only as sources of ancient wisdom and wrenchingly powerful poetry, but also as genuinely popular entertainments. Recent translations of "The Iliad" and "Odyssey" have shared the best-seller lists with Grisham and King. "The Odyssey" has inspired works from James Joyce's "Ulysses" to a George Clooney movie, and an adaptation of "The Iliad" recently earned more than $100 million in the form of Wolfgang Petersen's "Troy" - a summer blockbuster starring Brad Pitt as an improbable Achilles.

The ancient Greeks, however, believed that Homer's epics were something more than fiction: They thought the poems chronicled a real war, and reflected the authentic struggles of their ancestors. But modern scholars have generally been more skeptical. The poems describe a culture that thrived hundreds of years before Homer was born, and which would have seemed legendary even to him. Scholars have allowed that a kernel of historical truth might be tucked beneath the layers of heroic hyperbole and poetic embroidery, but only a small kernel. In the last 50 years, most scholars have sided with the great classicist Moses Finley, who argued that the epics were "a collection of fictions from beginning to end" and that - for all their majesty and drama - they were "no guide at all" to the civilization that

may have fought the Trojan War.

But thanks to evidence from a range of disciplines, we are in the middle of a massive reappraisal of these foundational works of Western literature. Recent advances in archeology and linguistics offer the strongest support yet that the Trojan War did take place, with evidence coming from the large excavation at the likely site of Troy, as well as new analysis of cuneiform tablets from the dominant empire of the region. Insights from comparative anthropology have transformed studies of the society that created the poems and allowed us to analyze the epics in a new way, suggesting that their particular patterns of violence contain a hidden key to ancient Greek history - though not necessarily the key that Homer's readers once thought they were being given.

more at: http://www.boston.com/bostonglobe/ideas/articles/2008/09/28/hidden_histories/?page=full